VIEWPOINT: NAC renovation project worth the cost
By Emma Jiayue Liu
Next month, the National Arts Centre will complete the final phase of a $110.5-million renovation project, opening grand, new meeting rooms and an entrance from the Mackenzie King Bridge.
The federal government’s historic investment to revitalize the NAC was announced by Stephen Harper’s Conservative government in December 2014. This bid to transform the infamous NAC “bunker” into a world-class arts facility was the single biggest Canada 150 expenditure — more than double the $46.6-million cost of the original building in 1969.
However, the huge rejuvenation price tag begs a question: Was it all worth it?
Simply by looking at the changes that were made to the exterior, the answer is yes. The old building had windowless walls. Passersby had no idea what was inside. The uninviting architecture offered no clue about the NAC’s function or purpose, conveying only a sense of distance.
The reinvented structure clarified the message: the spectacular, glassy exterior of the redeveloped building presents the place as a socially-connected and metaphorical beacon for the performing arts in Canada.
Instead of concrete, a number of contemporary architectural materials, including glass and wood, were introduced to emphasize an open space for connection. The north atrium applied a vast curtain wall of glass and grand wooden staircases to bring in natural light. This also gives pedestrians an opportunity to peer in — perhaps even catching a glimpse of a performance — through the transparent facades.
One might ask whether Canadian taxpayers from outside of Ottawa benefit from the rebuilt venue. The answer is clear.
The NAC should not be seen only as a physical place for arts performances, but also as a living symbol of culture for all Canadians. It should become a place to showcase, or even show off the highest level of artistic talent from across the country, reinforcing the NAC’s claim that “Canada is our stage.”
The rebuild better reflects and respects this ultimate goal. That’s why the money was worth it.
The centre is showing off its newfound spirit in fresh ways. For example, rather than its traditional approach of hanging posters on the exterior wall to promote upcoming events, the 20-metre high Kipnes Lantern — a signature feature of the masterful redo — provides a digital display to highlight the excellent work being produced across Canada.
By adding entrances from Elgin Street and the Mackenzie King Bridge, the NAC becomes much more accessible and welcoming to the public. The broad glass facade also offers captivating views of Confederation Square and the Château Laurier.
Even the Peace Tower is visible from inside the NAC’s new north atrium.
Canada 150 has been a successful operation in attracting both Canadian and international tourists to celebrate the nation’s achievements and better understand its history and culture. Though the NAC rejuvenation project was expensive, it leaves a valuable legacy for the arts in Canada.