In this, the era of the remake (and its twin siblings, the reboot and the reinvention), it seemed almost inevitable that 1972’s The Last House on the Left, which established writer-director Wes Craven in the horror genre long before the conception of the Scream franchise, would fall upon a studio executive’s desk as a prime candidate to be dusted off and given the twenty-first century treatment.
Film Review: The Last House on the Left
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